Colors Good 4 Wood

A standard tone when it comes to basecoats for Uschi´s wood grain decals. Brush the entire panel with this color, and bright up the center of the panel with Radome+white. Apply the decal. Perfect. Thats what I use all the time. Radome is a glossy color.

One of the toning/tinting colors for Radome. If you wanna have a little bit variation on the basecoat, mix Radome with Sail Color and break the monotony of the panel layout with that new mix. Its also a great postshading or preshading color for Radome. Should be part of your collection for wood colors. Just great. Sail Color is a flat color.

One of the toning/tinting colors for Radome. If you wanna have a little bit variation on the basecoat, mix Radome with Sandy Brown and break the monotony of the panel layout with that new mix. Its also a great postshading or preshading color for Radome. Should be part of your collection for wood colors. Just great. Sail Color is a semi gloss color.

One of the toning/tinting colors for Radome. If you wanna have a little bit variation on the basecoat, mix Radome with Flesh and break the monotony of the panel layout with that new mix. Its also a great postshading or preshading color for Radome, delivery very subtile effects. Mix it with black and white+yellow to bright it up or tone it down. Flesh is a Semi-Gloss Color.

One of the toning/tinting colors for Radome. If you wanna have a little bit variation on the basecoat, mix Radome with Cream Yellow and break the monotony of the panel layout with that new mix. Mix it with Radome + white for more variation on your basecoat. Cream Yellow is a glossy color.

One of the toning/tinting colors for radome. Its also a great color for preshading if you mix it with Tire Black or Black (see below). If you wanna have a little bit variation on the basecoat, mix Radome with Orange Yellow and break the monotony of the panel layout with that new mix. Mix it with Radome + white for more variation on your basecoat. It provides a great variation in tone when mixed with yellow. Orange Yellow is a glossy color.

Clear colors are a neccessary asset in the color rack of many modelers. These colors work as acrylic filters and/or postshading colors. One can break up any monotony of almost any color by applying a thin coat of these. For the wood sets these colors represent a finishing product, allowing you to set light and shadow, depth and/or variation. Clear Yellow is one of the most important clear colors to me. This is a glossy color.

Clear colors are a neccessary asset in the color rack of many modelers. These colors work as acrylic filters and/or postshading colors. One can break up any monotony of almost any color by applying a thin coat of these. For the wood sets these colors represent a finishing product, allowing you to set light and shadow, depth and/or variation. Clear Orange is one of the most important clear colors to me. This is a glossy color.

THE clear color in my collection. Smoothest edges, subtile changes in tone, zenithal light effects, postshading. Smoke (Clear Black actually to follow the logic) is one of the most effective acrylic finishing colors with myriades of possible application. This is a glossy color.

Toning color for blackening and preshading. This is...surprise, surprise...a flat color.

Its name reflects its programme: It great for tires because its like a "broken Black" or "off Black". Another major benefit of this stuff is when it´s used for preshading. Its more easy to make smooth and soft color gradiation compared to "Dead Black". This is a flat color.

Toning color for brightening. Its a flat color as mentioned in the header already.

Off white is something like a very, very bright grey. It is pretty handy for toning and brighten up colors when a standard White would be "too White". I use this color to brighten up panel centers and for zenithal light effects. One can actually say that this color is already "broken" i.e. faded and weathered. This is a glossy color.